top of page

Repertoire: 1990/91 to 2000/01

  • Richard Sparks
  • Apr 30
  • 19 min read

Here's a continuation of my repertoire/concert list/programs from 1990-91 to 2000-2001. This period includes:

  • My last decade at PLU

  • My time as Director of the Seattle Symphony Chorale (1990-94)

  • and the beginnings of both Choral Arts Northwest (1993), and Pro Coro Canada (1999).


Therefore, it includes:

  • lots of repertoire with the SSO Chorale, plus 9 recordings on Delos;

  • the beginnings with both Choral Arts in Seattle and Pro Coro Canada in Edmonton;

  • some other great repertoire (from Brahms 4th Symphony to Verdi Requiem and my first time conducting the Rachmaninoff All-Night Vigil in '96);

  • premieres of my friend Richard Nance's works;

  • lots of Swedish repertoire;

  • and three years at the Anchorage Music Festival (beginning with Brahms Ein Deutsches Requiem when I substituted for Robert Shaw in 1993)


Once I began with the SSO Chorale (after the first season), I stopped conducting the PLU Choral Union, turning it over to my colleague and friend, Richard Nance. Richard did an outstanding job.


Conducting the SSO Chorale meant driving to Seattle every Monday night for rehearsals from Tacoma, plus extra rehearsals around concerts and normally 2 subscription concerts (occasionally with a third performance on Sunday afternoon). The schedule was at times quite intense, which you'll see as you see how close together some performances were, particularly for an all-volunteer choir with one rehearsal a week (not counting those with the orchestra as we got to the performances). This was a great and intensive time to work with a top-class orchestra (Music Director, Gerard Schwarz) and a dedicated symphonic chorus.


The Anchorage Music Festival (always held during Summer Solstice) came about because Robert Shaw had a series of TIAs and his doctor said he had to curtail his schedule. David Hagen, who'd studied conducting privately with me for about a year, was now the administrator for the Festival, and (with little notice) asked if I could come up to conduct Brahms Ein Deutsches Requiem, which (of course!) I accepted, even though I hadn't conducted the work (or even sung it). So, some intensive time preparing the score! It was a great experience (besides the Festival Chorus, prepared by the legendary Elvira Voth, used members or the Anchorage Symphony Orchestra. I ended up conducting at the Festival two more years (until David Hagen left as ED, and the new one went a different direction as far as conductor).


Of course, the beginnings of both Choral Arts Northwest (which I began in order to work with a professional-level chamber choir) and work with Pro Coro Canada (a professional choir in Edmonton, Alberta) also changed my life in great ways. I left the SSO Chorale (for a variety of reasons) after Choral Arts was established in 1993. That became an extraordinarily important experience both musically and in so many other ways, with a terrific group of people, and also led to making three recordings for Loft/Gothic records.


Pro Coro Canada came later: when I did the CANW debut concert with Eric Ericson conducting, he was also guest conducting PCC. He told them about my work and they asked several times for me to guest conduct, but timing didn't work until 1996, when they were doing a program with Gustav Sjökvist (then Chief Conductor of the Swedish Radio Choir), who had to cancel. I was able to make it work that time and worked with them for the first time. They'd just hired Agnes Grossman (daughter of long-time Vienna Boy Choir conductor, Ferdinand Grossman) as their new Artistic Director. However, a couple years later she had the opportunity to go back to Vienna (she was living in Toronto at the time) and take over the Boychoir (the first woman to lead it, although it didn't last long), so the position opened up with Pro Coro and they asked me to become a candidate for Artistic Director. Consequently, I conducted a concert in 1998 as an audition program. I was appointed AD and began that position in 1999, one which I held for 12 years and was another outstanding experience with a lot of great people and a wonderful city. I was able to commission new music, take several tours to different parts of Canada, work with a great festival in Toronto, and work regularly with members of the Edmonton Symphony Orchestra on a wide variety of repertoire, including all the late Masses of Haydn, along with Bach (St. John Passion/Mass in B Minor), Mozart Requiem, etc.


This decade was an extraordinarily busy and productive time!


1990-1991

September—prepared Seattle Symphony  Chorale for Bach Wachet Auf, Gerard Schwarz conducting


October—prepared Seattle Symphony Chorale for Debussy Nocturnes, Maximiano Valdes conducting


November—PLU Choral Union

Liebeslieder Walzer........... Brahms (with Calvin & Sandra Knapp, pianists)

Requiem........... Rutter


December—prepared Seattle Symphony Chorale for Busoni Piano Concerto, Gerard Schwarz conducing


December—prepared Seattle Symphony Chorale for Handel Messiah, Christopher Kendall conducting


December—PLU Christmas concerts, including

Den heliga natten........... Hilding Rosenberg


January—Music Director/Conductor for PLU premiere performance of Gregory Youtz’s opera, Songs of the Cedar House


February—prepared Seattle Symphony Chorale for Elgar Dream of Gerontius, Gerard Schwarz conducting


February—prepared Seattle Symphony Chorale for Howard Hanson Lament for Beowulf, Gerard Schwarz conducting (also recorded for Delos, nominated for a Grammy)


March—prepared Seattle Symphony Chorale for Bright Sheng Two Folksongs from Chinghai and Walter Piston Psalm and Prayer of David (Piston also recorded for Delos)


March—prepared Seattle Symphony Chorale for Handel Acis and Galatea, Gerard Schwarz conducting (also recorded for Delos)


April—prepared Seattle Symphony Chorale for Mendelssohn Lobgesang, Gerard Schwarz conducting (also recorded for Delos)


April—PLU Choir of the West tour (WA, OR, then after graduation tour to Japan, China, and Hong Kong, along with strings from the University Symphony Orchestra):

Tristis est anima mea........... Johann Kuhnau

Ave Maria........... Bruckner

Hear my prayer, O Lord........... Purcell/Sven-David Sandström

Festival Te Deum........... Britten

Lobet den Herrn........... J.S. Bach

Night and Morning........... György Ligeti

3 Folk Songs........... Gail Kubik

2 Folk Songs (premiere)........... Barbara Poulshock

Organ Fugue........... J.S. Bach/Swingle


May—PLU Choral Union

Coronation Mass........... Mozart

Vesperae Solemnes de Confessore


1991-1992

September—prepared Seattle Symphony Chorale for Mahler 3rd Symphony, Gerard Schwarz conducting


October—PLU Choir of the West—All Saints Service (this was a continuation of giving the choir the opportunity to prepare a work in four rehearsals—a little more than 5 hours) then sing it on Friday)

Requiem........... Gabriel Fauré


October—prepared Seattle Symphony Chorale for Danielpour’s Journey without Distance, conducted by Gerard Schwarz (also recorded for Delos)


November—PLU Choral Union

music by Praetorius, Schütz, Gabrieli, Vaughan Williams, Hovland, and Foss with brass and organ:


November—prepared Seattle Symphony Chorale for Handel Suite, Pacific NW Ballet, Stewart Kershaw conducting


December—PLU Christmas concert, including

Hodie........... Vaughan Williams


December—prepared Seattle Symphony Chorale for Handel Messiah, Gerard Schwarz conducting


December—Seattle Symphony Chorale—Christmas concert


January—prepared Seattle Symphony Chorale for Walton Belshazzar’s Feast, Gerard Schwarz conducting


Feb. 8, 9, 1992—Guest conductor, Portland Symphonic Choir           

"Many Voices in Early Song"

Ecce beatam lucem........... Alessandro Striggio

O bone Jesu........... Robert Carver

Gloria........... Givovanni Gabrieli

Laudate Dominum terzo........... Claudio Monteverdi

Four madrigals........... Luca Marenzio

Spem in alium........... Thomas Tallis


April—PLU Choir of the West Spring concert—Music from Folk Traditions

Zigeunerlieder........... Brahms

Bushes and Briars........... Vaughan Williams, arr. Donald James

Londonderry Air........... arr. Percy Grainger

Goin’ Home Songs (premiere)........... Barbara Poulshock

My Lord, What a Mornin’........... Harry T. Burleigh

Obey the Spirit of the Lord........... arr. Robert DeCormier

Les Noces (sung in Russian)........... Igor Stravinsky


April—Seattle Symphony Chorale Lenten program (conducted by me)

Bruckner accompanied by principal winds and brass of the SSO

At St. Mark's Cathedral in Seattle

Bruckner Ecce Sacerdos & Os justi

Poulenc Lenten Motets

Bruckner Mass in E Minor


May—prepared PLU Choir of the West for the NW Chamber Orchestra, Sidney Harth conducting

Nelson Mass........... F.J. Haydn


May—PLU Choral Union

Coronation Anthems........... Handel

Wedding Anthem “Sing unto God”........... Handel


May—prepared Seattle Symphony Chorale for Beethoven 9th Symphony and Howard Hanson Symphony nr. 7—A Sea Symphony, Gerard Schwarz conducting (Hanson also recorded for Delos)


June 19, 1992—Anchorage Festival of Music, Anchorage, AK

Ein Deutsches Requiem........... Brahms

(I substituted for Robert Shaw, who was ill)


1992-1993

October—All Saint’s Chapel—Choir of the West

Requiem........... John Rutter (again, doing this in 4 rehearsals, performed on Friday at PLU Chapel)


November—PLU Choral Union

Music of NW composers with organ and brass


November—prepared Seattle Symphony Chorale for Orff Carmina Burana, Donald Runnicles, conductor


December—PLU  Christmas concert, including

A Christmas Garland........... Conrad Susa


December—prepared Seattle Symphony Chorale (a smaller group from the Chorale) for Handel Messiah, Gerard Schwarz conducting


December—prepared Seattle Symphony Chorale (also a smaller group from the Chorale) for Handel Judas Maccabaeus, Gerard Schwarz conducting


January—prepared Seattle Symphony Chorale for Holst Planets, Gerard Schwarz conducting


January 17, 1993—prepared Choral Arts for their inaugural concert, Eric Ericson conducting

Ecco mormorar l’onde........... Monteverdi

Sfogava con le stelle........... Monteverdi

Vineta, Op. 42 #3........... Brahms

Trois Chansons........... Debussy

Due Composizione Corali........... Ildebrando Pizzetti

Komm, Jesu, komm........... Bach

Agnus Dei........... Sven-David Sandström

De Profundis........... Ingvar Lidholm

Jorden oro viker........... Ludwig Norman

Rex Gloriosae........... Otto Olson

Kung Liljekonvalje........... arr. Wikander

Och jungfrun hon går i ringen........... Hugo Alfvén


January—PLU Choir of the West tour (WA, OR, CA)

All People Clap Your Hands........... Thomas Weelkes

If Ye Love Me........... Thomas Tallis

Alleluia, I Heard a Voice........... Thomas Weelkes

O Domine........... Thomas Jennefelt

Ave Maria........... Brahms

Ave Maria........... Franz Biebl

Magnificat........... René Clausen

Choruses from ‘The Lark’........... Bernstein

3 British Folksongs........... Holst and Vaughan Williams


February—prepared Seattle Symphony Chorale for Faure Requiem and Bright Sheng Suite from Song of Majnun (premiere), Gerard Schwarz conducting


Mar. 13, 1993—guest conducted Seattle Pro Musica (20th Anniversary Program)

            Jubilate Deo........... William Walton

            Festival Te Deum........... Benjamin Britten

            Drei Gesänge from Op. 104........... Brahms

            Singet dem Herrn........... Bach

            Saul........... Egil Hovland

            Three Medieval Lyrics (Premiere)........... Karen Thomas

            Three Scottish Folksongs........... arr. Mack Wilberg



March—prepared Seattle Symphony Chorale for Bloch America, Gerard Schwarz conducting (also recorded for Delos)


April—PLU Choral Union

Epistle Sonata, K. 328........... Mozart

Mass in G........... Schubert

Missa Brevis in F, K. 192........... Mozart


April—PLU Choir of the West & Northwest Chamber Orchestra

St. John Passion........... J.S. Bach (Christopher Cock, Evangelist)


May—prepared Seattle Symphony Chorale for Debussy Nocturnes, Gerard Schwarz conducting


May—Seattle Symphony Chorale

All-Night Vigil........... Rachmaninoff


June—prepared Seattle Symphony Chorale for Copland Canticle of Freedom (only done for a recording, Gerard Schwarz conducting)


June 11, 1993 – Anchorage Festival of Music, Anchorage, AK

Royal Fireworks Music........... Handel

Concerto for Oboe in C (Alex Klein, soloist)........... Vivaldi

Concerto for Oboe in E Minor C (Alex Klein, soloist)........... Telemann

Orchestral Suite No. 3........... Bach


June 18, 1993 – Anchorage Festival of Music

Handel Choruses (Zadok the Priest, Music Spread Thy Voice Around,

                           Draw the Tear, Let their Celestial Concerts All Unite)

Jauchzet Gott (Nancy Zylstra, soloist)........... Bach

Sing unto God (Jeffrey Thomas, soloist)........... Handel


1993-1994

October—All-Saints Chapel—PLU Choir of the West

Requiem........... Herbert Howells (4 rehearsals, perform Friday in Chapel)


October—prepared Seattle Symphony Chorale for Orff Carmina Burana with the Pacific NW Ballet, Stewart Kershaw conducting

This was a new production/choreography and 80 members of the Chorale sang for this. The choir was suspended on platforms hung above the stage (! the platforms were designed and built by Boeing engineers to be able to handle the weight). The choir wore Monk's cowls. Dancers could enter underneath the choir—it was quite a production!


December—PLU Choirs—Christmas concert, including

Cantata 191, Gloria in Excelsis Deo........... J.S. Bach


December—prepared SSO Chorale for Messiah, Gerard Schwarz conducting


December—conducted SSO Chorale in their own Christmas concert

With principal brass from the SSO

Various carols sung by the audience

Ding, Dong, Merrily on High......arr. Charles Wood

There is a Flower......arr. John Rutter

Birthday Carol......David Willcocks

In dulci jubilo.....Samuel Scheidt (by the brass)

Virga Jesse.......Anton Bruckner

Bogoroditse Devo.......Sergei Rachmaninoff

Slava..........Rachmaninoff (both from his All-Night Vigil)

Mary's Lullaby.........arr. Rutter

Infant Holy..........arr. Willcocks

Fum, Fum, Fum.............arr. Nan Beth Walton

(two more pieces by Scheidt by the brass)

Wassail............Ralph Vaughn Williams

Gloria............Rutter

We Wish You a Merry Christmas..........arr. Arthur Warrell


January 15 & 16, 1994—Choral Arts (Seattle)

Arma Lucis........... Jackson Berkey

Missa Papae Marcelli........... Palestrina

Hear my Prayer, O Lord........... Purcell/Sandström

Cantus Missae, Op. 109........... Josef Rheinberger


January—prepared SSO Chorale for Brahms Requiem, John Nelson conducting


January—PLU  Choir of the West Tour (WA, ID, MT)

Beati quorum via........... C.V. Stanford

Sicut cervus........... Palestrina

Os Justi........... Bruckner

Agnus Dei........... Sven-David Sandström

Missa Brevis in F (K. 192)........... Mozart

Six Chansons........... Hindemith

3 Folksongs........... arr. R. Vaughan Williams

Three American Folksongs (premiere)........... arr. Richard Nance


February—prepared Seattle Symphony Chorale for David Diamond This Sacred Ground, Gerard Schwarz conducting (also recorded for Delos)


March—prepared Seattle Symphony Chorale for Beethoven 9 with George Cleve conducting


April—prepared Seattle Symphony Chorale for Beethoven Missa Solemnis and Strauss Taillefaire

This program was the proverbial straw that broke (okay, you know the cliche!) with the SSO. As most of you know, Beethoven Missa is one of THE most difficult pieces in the repertoire! Jerry Schwarz wanted to do the Strauss, and early piece for huge orchestra (they added members of the Seattle Youth Symphony for this) and Jerry invited a university choir (a non-auditioned one) to join in the Strauss after meeting the conductor at a luncheon. And all of this (adding another piece—including lots of high Bbs for sopranos and tenors—to Missa), without asking me . . . I found out when the season was announced. I'd been struggling to communicate that the time between programs had to be carefully controlled to get adequate rehearsal time, plus other challenges with scheduling (the SSO's subscription nights were Monday/Tuesday—they shared the Seattle Opera House with BOTH Seattle Opera AND the Pacific NW Ballet). For example, for Sunday afternoon concerts, he wanted the Chorale to do a rehearsal Sunday mornings (quite a challenge for those members with church jobs/choirs) and would occasionally schedule a dress rehearsal Monday morning ("We could do that in NY no problem"), even though we had choir members coming from all over the Puget Sound area and a good number of teachers. Anyway, all this made the decision for me that, as much as I loved the Chorale and working with the SSO, it just didn't make sense, so I resigned at the end of the year.


May—PLU Choirs prepared for University Symphony Orchestra, Jerry Kracht, cond.

Symphony No. 9........... Ludwig van Beethoven


May 6 & 8, 1994—Choral Arts (Seattle)

Singet dem Herrn........... Bach

Zigeunerlieder........... Brahms

Hymn to St. Cecilia........... Britten

I Gondolieri & La Passeggiata........... Rossini


May 22, 1994—guest conductor with Seattle Youth Symphony & Seattle Symphony Chorale (and NW Boychoir)

Symphony 2 in b Minor........... Alexander Borodin

Carmina Burana........... Carl Orff


June 12, 1994 – Anchorage Festival of Music, Anchorage, AK

            Ich habe genug (Richard Zeller, soloist)........... Bach

            Brandenburg Concerto 5........... Bach

            Symphony # 88........... Haydn

            Per questa bella mano (Richard Zeller)........... Mozart

            Rivolgete a lui lo sguardo


June 17, 1994 – Anchorage Festival of Music, Anchorage, AK

Messiah........... Handel


1994-1995

October, 1994—PLU Choir of the West Fall Concert

Magnificat (Coll Reg)........... Herbert Howells

Bogoroditse devo........... Rachmaninoff

Faire is the Heaven........... William Harris


October 21 & 23, 1994—Choral Arts            Baroque Music of Mourning and Consolation

Canticum Simeonis, from Musikalische Exequien........... Schütz

Du aber, Daniel........... Telemann

Gottes Zeit ist die allerbeste Zeit........... Bach

Komm, Jesu, komm........... Bach


February, 1995—PLU Choirs and Orchestra (dedication of new concert hall)

Credo........... Arvo Pärt


February 12 & 14, 1995—Choral Arts (Seattle)            Love & Lieder

Brigg Fair........... arr. Grainger

I Love My Love........... arr. Holst

The Turtle Dove........... arr. Vaughan Williams

Strawberry Fair........... arr. James

Ecco mormorar l’onde........... Monteverdi

Canzone 126 di Francesco Petrarca........... Lars Johan Werle

Il giardino di Affrodite........... Pizzetti

La Passegiata........... Rossini

Liebeslieder Walzer, Op. 52........... Brahms


March, 1995—PLU Choir of the West tour (Nevada, AZ, CA)

Ave Maris Stella........... Trond Kverno

Der Geisthilft unsrer Schwacheit auf........... J.S. Bach

Faire is the Heaven........... William Harris

3 Spirituals

Lorca Suite........... Einojuhani Rautavaara

Trois Chansons........... Ravel

O Day Full of Grace........... F. M. Christiansen


May 21, 1995—Choral Arts (Seattle)            Peter Hallock—A Retrospective

Let My Prayer Come Up as the Incense........... Peter Hallock

Exsultate Deo

Song of Moses

Gloria

Phoenix

Ye Choirs of New Jerusalem

(CD Recording, Cathedral Anthems: Music of Peter Hallock,

on Loft Recordings, released the following fall)


1995-1996

Fall Concert—PLU Choir of the West

Mass in G Minor........... Vaughan Williams


October 21 & 22, 1995—Choral Arts (Seattle)—program shared with another ensemble

Choruses from ‘The Lark’........... Bernstein

Missa Brevis........... Palestrina


November 24, 25, & 26, 1995—Choral Arts (prepared for the Mark Morris Dance Company)

Dido and Aeneas........... Purcell

We were invited to be the chorus in the pit for this production, which Mark Morris not only choreographed, but danced Dido!


December—PLU Choir of the West—Christmas program, included

Ringeltänze........... Libby Larsen


December 22, 1995—Choral Arts (Seattle)

A Holiday Celebration—from Carols to Jazz (a shared concert with the Society Jazz Band, sponsored by the Puget Sound Music Society)


March 23 & 24, 1996—Choral Arts (part of the Arts West series in Seattle)

Musikalische Exequien........... Schütz (a smaller ensemble from the choir, with organ)


April, 1996—PLU Choir of the West (performances at PLU and St. James Cathedral in Seattle_

All Night Vigil (Vespers)........... Rachmaninoff

(CD recording made of this work)


May 17, 1996—Pro Coro Canada (Edmonton), guest conductor           

Summer Music

             Sumer is icumin in

             Les Chansons des Roses........... Morten Lauridsen

             Five Flower Songs........... Britten

             La Passeggiata........... Rossini

             I Gondolieri

             The Bluebird........... C.V. Stanford

             Among the Leaves So Green........... arr. John Byrt

             As Torrents in Summer........... Elgar

             Bobby Shaftoe........... arr. David Willcocks

             Due Composizione Corali........... Ildebrando Pizzetti

              Och jungfrun hon går i ringen........... Hugo Alfvén

              Walkin’ on the Green Grass........... Michael Hennagin

              Domardansen........... Bengt Hallberg


1996-1997 (on sabbatical from PLU this year, I finished work on dissertation, so no work at PLU)


July 20, 1996 – Veszprém Singing Week, Veszprém, Hungary

This was a "Singing Week," connected with Europa Cantat. I was one of a number of conductors each leading a different "atelier," with each program selected by either individuals or choirs to participate. My atelier included about half the Hugo Distler Chor from Berlin and a whole Spanish Youth Choir, plus individuals from all over Europe. This followed my wedding to Kathryn (we first flew to Prague, then trained to Budapest, where we were taken by van with some of the other conductors to Veszprém. Afterwards, we traveled to Budapest, Vienna, various places in Germany, Norway, and Sweden. Kathryn had to go back home in September (started teaching at PLU) and I stayed for about 6 weeks in Stockholm to update research for my dissertation. I have to say, we had a pretty marvelous honeymoon!

              Simple Gifts........... arr. Rene Clausen

              Obey the Spirit of the Lord........... arr. Robert DeCormier

              Shut de Do........... arr. Mark Hayes

              Chichester Psalms........... Bernstein


November 22 & 24, 1996—Choral Arts & Northwest Sinfonietta

Coronation Mass........... Mozart

(I conducted the Mass, and the NW Sinfonietta conductor led Mozart's Jupiter Symphony)


February 8 & 9, 1997—Choral Arts (Seattle)            Passion of the Baroque

Ardo Avvampo........... Monteverdi

Hor ch’el ciel e la terra

Amor

Beatus Vir

Laudate Dominum

Vater Unser........... Schütz

Der zwölfjährige Jesus im Tempel

Die mit tränen säen

Selig sind die Toten


May 3 & 4, 1997—Choral Arts (Seattle)            Romance, Fire and Fairytales

Richte mich, Gott........... Mendelssohn

Luci serene e chiare........... Gesualdo

“Fire Madrigals”........... Morten Lauridsen

As Torrents in Summer........... Elgar

The Blue Bird........... Stanford

Londonderry Air........... arr. Grainger

Fünf Gesänge, Op. 104........... Brahms

Regn og Rusk og Rosenbusk........... Bo Holten

Music for Awhile........... Purcell, arr. Gunnar Ericsson


June 28, 1997—Choral Arts (prepared for Seattle International Music Festival, Dimitri Sitkovetsky, conductor)

Acis and Galatea........... Handel


1997-1998

Fall concert—PLU Choir of the West (shared program with 3 other choirs)

Os Justi........... Bruckner

Magnificat in G........... C.V. Stanford

Agnus Dei........... Krzysztof Penderecki


October 18 & 19, 1997—Choral Arts (Seattle)            Baroque & Beyond

Beatus Vir........... Monteverdi

Crucifixus........... Lotti

O vos omnes........... Joakim Unander

Saul, Saul, was verfolgst du mich?........... Schütz

Gloria a 7........... Monteverdi

Der zwölfjährige Jesus im Tempel........... Schütz

Tristis est anima mea........... Kuhnau

Fire Madrigals........... Lauridsen

Dixit Dominus........... Monteverdi


December—PLU Choir of the West Christmas program, with

Gloria........... Poulenc


December 20 & 21, 1997—Choral Arts (Seattle            Christmas in Scandinavia

Program also recorded in sessions for the Loft CD, Christmas in Scandinavia

Det är en ros utsprungen........... Praetorius/Jan Sandström

Den yndigste rose........... Henrik Ødegaard

Deilig er den himmel blaa........... arr. Paul Christiansen

Ave maris stella........... Bror Samuelson

När det lider mot jul........... Ruben Lijefors

Jeg er så glad........... arr. Paul Christiansen

Ave maris stella........... Trond Kverno

O makalösa stjärna........... Sventelius, arr. Ola Eriksson

Sanctus........... Jan Sandström

Swedish Christmas Medley........... arr. Berith Ballard

Ave Maria........... Gottfrid Berg

Jul, jul, strålande jul!........... Gustaf Nordqvist

Ave maris stella........... Grieg

O Jul med din glede........... traditional Norwegian


February 20 & 22, 1998—Choral Arts (Seattle)            A Rose in Winter

Der zweite Psalm........... Mendelssohn

Les Chansons des Roses........... Lauridsen

Ca’ the yowes........... arr. Vaughan Williams

The sailor and young Nancy........... arr. Moeran

The turtle-dove........... arr. Vaughan Williams

Hymn to St. Cecilia........... Britten

Villarosa sarialdi........... Thomas Jennefelt

Kung Liljekonvalje........... arr. David Wikander

Och jungfrun hon går i ringen........... Hugo Alfvén


April 21 & 22, 1998—Choral Arts & PLU Choir of the West —  Music of Space, Time, & Infinity

Choral Arts:

Crucifixus........... Lotti

Warum ist das Licht gegeben........... Brahms

Lux Aeterna........... György Ligeti

Combined Choirs:

Totus tuus........... Henryk Górecki

…a riveder le stelle........... Ingvar Lidholm

Choir of the West:

O Domine........... Thomas Jennefelt

Ave Maria........... Mendelssohn


May—PLU Choir of the West

Works above, plus

Chichester Psalms........... Bernstein

Credo (premiere of this version)........... Richard Nance

(all recorded on Credo CD at PLU)


1998-1999

October, 3 & 4, 1998—Pro Coro Canada (Edmonton)            Tour de France

This was my audition program with Pro Coro. The theme was already chosen, since they'd arranged for a Canadian Tour de France bicyclist to speak at the concert. I chose a program all in French language, although not all French composers:

              Six Chansons........... Hindemith

              (Renaissance chansons—Passereau, Lassus & Clemens—sung by

                            quartets from the choir)

              Les Fleurs et Les Arbres........... Camille Saint-Saëns

              Les Chansons des Roses........... Morten Lauridsen

(3 more renaissance chansons by Petit, Mouton & des Prez sung by

                             quartets from the choir)

              Five Apollinaire Settings........... Lionel Daunais

             

October 17 & 18, 1998—Choral Arts (Seattle)            The Glory of Russian Music

(all sung in Slavonic)

We Have No Other Help........... Chesnokov

The Angel Cried Out........... Tchaikovsky

Vespers (nos. 1-6)........... Rachmaninoff

Choir Concerto........... Alfred Schnittke — this was a work I'd been wanting to do for quite a while—amazing music!


Dec. 19 & 20, 1998—Choral Arts (Seattle)            Christmas in Scandinavia

(Essentially a repeat of the program for Season V—most now on the Loft Recordings CD: Christmas in Scandinavia)


January Tour (Oregon, California, Arizona)—PLU Choir of the West

Ave Maris Stella........... Javier Busto

Ave Maria........... Bruckner

Ave Maris Stella........... Trond Kverno

Cantus Missae, Op. 109........... Josef Rheinberger

Madrigali........... Morten Lauridsen

Alleluia........... Randall Thompson

Due North........... Stephen Chatman


Feb. 19 & 20, 1999—Choral Arts (Seattle)            A Rose in Winter

Psalm 100........... Cindy McTee

Die mit Tränen säen........... Schein

Tristis est anima mea........... Kuhnau

Madrigali........... Lauridsen

5 Poems by Apollonaire........... Lionel Daunais

Sechs Geistliche Lieder........... Hugo Wolf


March 19 & 26, 1999—Choral Arts (Seattle & Tacoma)    Passio

Passio........... Arvo Pärt

(We did this both at PLU and St. James Cathedral in Seattle. At St. James, James Savage, Music Director, arranged to have the Rector and acolytes do the Stations of the Cross during the performance. A great experience!


April—10 men from the PLU Choir of the West prepared for a performance with the Northwest Chamber Orchestra, Adam Stern, conductor

L’Allegro........... Handel


May 21-27, 1999 — International Chamber Choir Competition, Marktoberdorf, Germany

With music chosen from the Rose in Winter program above, Choral Arts received a special prize for interpretation of romantic music for our performance of two of Wolf’s Sechs Geistliche Lieder. Besides the competition, the choir sang two independent concerts and sang for two church services.


1999-2000

October 2, 1999—Pro Coro Canada (Edmonton) Virtuoso Choral Music

Ejszaka & Reggel........... György Ligeti

Hymn to St. Cecilia........... Britten

Fünf Gesänge, Op. 104........... Brahms

Kung Liljekonvalje........... David Wikander

Gloria........... Lars Edlund

Salve Regina/Exsultate Deo........... Poulenc

A Medieval Bestiary........... R. Murray Schafer

Aftonen /O Jungfrun hon går I ringen........... Hugo Alfvén


November 6 & 7, 1999—Choral Arts (Seattle) — In Love with Shakespeare

Three Shakespeare Songs........... Donna Gartman Schultz

Songs of Ariel........... Frank Martin

Fancies I........... Sven-Eric Johansson

Three Shakespeare Songs........... Ralph Vaughan Williams

Music To Hear........... George Shearing

Two Songs from the ‘Liebeslieder Polkas’........... PDQ Bach


December—PLU Christmas concert—a variety of works plus,

Magnificat........... J.S. Bach


January 22, 2000—Pro Coro Canada (Edmonton) — Baroque & Beyond

Beatus Vir........... Monteverdi

Die mit Tränen säen........... Schütz

Madrigali........... Morten Lauridsen

Der Zwölfjährige Jesus im Tempel........... Schütz

Gloria a 7 voci concertata........... Monteverdi

Selig sind die Toten........... Schütz

Four Eulogies (world premiere)........... John Estacio

Dixit Secondo........... Monteverdi


February 26 & 27, 2000—Choral Arts (Seattle) —  A Rose in Winter

O Domine........... Thomas Jennefelt

Mass........... Frank Martin

Lorca Suite........... Einojuhani Rautavaara

Five Poems of Guillaume Apollinaire........... Lionel Daunais

Four Arrangements........... Norman Luboff


March 5, 2000—PLU Choir of the West—NW ACDA Conference

Pater Noster........... Javier Busto

Pater Noster........... Jacob Handl

Agnus Dei........... Sven-David Sandström

O Nata Lux........... Morten Lauridsen


March 6, 2000—Choral Arts — NW ACDA Conference, Seattle

O Domine........... Thomas Jennefelt

Mass (all but Agnus Dei)........... Frank Martin

Five Poems of Guillaume Apollinaire........... Lionel Daunais

Four Arrangements........... Norman Luboff


April 21, 2000—Pro Coro Canada (Edmonton)

Messiah........... Handel

(members of the Edmonton Symphony Orchestra, Henrietta Schellenberg, Catherine Robbin, Michiel Schrey, Paul Grindlay, soloists)


May, 2000—PLU Choir of the West

Mass for a New Millennium (world premiere)........... Richard Nance


May 6 & 7, 2000—Choral Arts (Seattle) — The Glory of the Cathedral

Chant Introit (men)

Cantus Missae (Kyrie & Gloria)........... Gabriel Rheinberger

Chant: Tota pulchra es, Maria (women)

Tota pulchra es, Maria........... Anton Bruckner

Cantus Missae (Credo)........... Rheinberger

Os Justi........... Bruckner

Cantus Missae (Sanctus & Benedictus)........... Rheinberger

Pater Noster........... Franz Liszt

Cantus Missae (Agnus Dei)........... Rheinberger

Ave Maria........... Bruckner


2000-2001

This was my last year at Pacific Lutheran University (emotional, to be sure). Since I'd taken on Pro Coro, having two outside ensembles was a big challenge, particularly since one was a flight away! PLU's Choir of the West is an all undergraduate ensemble. It's simply not possible to do such a group (and job) justice if you're leaving a lot of the time, so I was faced with a dilemma: what did I want my professional life to look like? I'd been at PLU for 18 years and done some wonderful things: many tours, big works like the Bach Mass in B Minor and St. John Passion; the Britten War Requiem, etc. Looking ahead, I thought if I wanted to push myself, I needed to try something different and look to the professional conducting side of my career, focusing on Pro Coro (I could now go to Edmonton for a complete rehearsal period) and Choral Arts NW, plus some guest conducting. It was an agonizing decision, but needed to be made. I certainly don't regret it! I was able to end the year with conducting the Verdi Requiem and then taking the Choir of the West on a tour of Norway and Sweden. Not a bad way to close out one of the most meaningful 18 years of my professional life.


September 30, 2000—Pro Coro Canada (Edmonton) — Gems and Masterworks

Singet dem Herrn........... Bach

I Will Lay Me Down in Peace........... Healy Willan

Behold, the Tabernacle of God

Rise Up, My Love, My Fair One

A Clear Midnight

Eulogies........... John Estacio

Zigeunerlieder........... Brahms

The Shower........... Edward Elgar

The Fountain

My Love Dwelt in a Northern Land

Music to Hear........... George Shearing


October 21 & 22, 2000—Choral Arts (Seattle) —  In Love with Shakespeare

Three Shakespeare Songs........... Håkan Parkman

Orpheus with his Lute........... Lars Johan Werle

Songs of Ariel........... Frank Martin

Fancies I........... Sven-Erik Johanson

Three Shakespeare Songs........... Ralph Vaughan Williams

Music to Hear........... George Shearing

November 18, 2000—Pro Coro Canada (Edmonton)

Guest appearance by the Vancouver Chamber Choir on the Pro Coro series:

The two choirs combined for Brahms’ Fest- und Gedänksprüche, Op. 109, which I conducted, and Rise, Shine conducted by Jon Washburn


November, 2000—Guest conductor with the Pacific Lutheran University Symphony Orchestra (Jerry Kracht was on sabbatical)

Capriol Suite........... Peter Warlock

In terra pax........... Gerald Finzi

(Choir of the West and University Chorale)

Symphony 4 in E Minor........... Johannes Brahms


December 16 & 17, 2000—Choral Arts (Seattle)            A Choral Arts Christmas

A variety of shorter carols, plus Lauridsen’s O Nata Lux and Richard Nance’s Magnificat.


December 22 & 23—Choral Arts on Seattle Symphony’s series:

Christmas Concert with the Watjen Organ

Some works from the above program, plus the Pinkham Christmas Cantata with SSO Brass players


January 20, 2001—Pro Coro Canada (Edmonton) —  Ceremony & Celebration

Vinamintra elitavi........... Thomas Jennefelt

Lux aeterna........... Ligeti

Past Life Melodies........... Sarah Hopkins

Raua Needmine (Curse of Iron)........... Veljo Tormis

in pursuit of ephemera (Premiere)........... Laurie Radford

Pas de Danse........... Lionel Daunais


March 3 & 4, 2001—Choral Arts (Seattle) —  A Rose in Winter

Three Part-songs........... Edward Elgar

Requiem........... Herbert Howells

Five Flower Songs........... Benjamin Britten

Un Soir de Neige........... Francis Poulenc

Due Corali........... Ildebrando Pizzetti

Les Chansons des Roses........... Morten Lauridsen


April 15, 2001 – Sunrise Celebration, Edmonton, Alberta

—Broadcast nationally by both CBC Radio and Television

—Pro Coro Canada, Madrigal Singers of the Univ. of Alberta and members of  seven other choirs from Edmonton, plus a brass ensemble from the Edmonton Symphony Orchestra. I conducted:

Behold, the Tabernacle of God........... Healy Willan

Rise Up, My Love, My Fair One........... Willan

I Will Sing unto the Lord........... Peter Hallock

Spaseniye Sodelal (Salvation is Created)........... Pavel Chesnokov

Shestopsalmiye (from the Vespers)........... Sergei Rachmaninoff

I’m Gonna Sing ‘til the Spirit Moves in My Heart........... Moses Hogan

plus hymns with brass and audience


April 18, 2001

Vespers of 1610—Pro Coro Canada (Edmonton)........... Monteverdi

(period-instrument band: strings and continuo from Vancouver, B.C.,

cornetti and sackbuts: The Whole Noyse Consort from the Bay area

Soloists include: Linda Perillo & Eva Bostrand, sopranos;

Paul Elliott & Colin Balzer, tenors; Paul Grindlay, bass)


May 3, 2001—PLU—Choir of the West Tour Program

(post-graduation, concerts given in Oslo, Trondheim, & Bergen, Norway; Stockholm & Uppsala in Sweden from May 31-June 9))

Spem in alium........... Thomas Tallis

Ave Maria........... Morten Lauridsen

Choruses from ‘The Lark’........... Leonard Bernstein

Psalm 90........... Charles Ives

Jauchzet dem Herrn........... Mendelssohn

Richte mich, Gott........... Mendelssohn

Three Spirituals........... arr. Moses Hogan


May 4 & 5, 2001—Choral Arts (Seattle)            Lumen—Music of Light

Lumen (Candlemas chant)

Te lucis ante terminum........... Thomas Tallis

Bring us, O Lord God........... William Harris

Svyetye tihi........... Sergei Rachmaninoff

O coruscans lux stellarum........... Hildegard of Bingen

O Nata lux........... Thomas Tallis

Hymn to the Creator of Light........... John Rutter

 Hail, gladdening Light........... Charles Wood

Svyetye tihi (Hail, gladdening Light)........... Alexander Gretchaninoff

Lux aeterna........... Edwind Fissinger

O Lux beata Trinitas........... William Byrd

Svyetye tihi........... P.I. Tchaikovsky

Lux aeterna........... György Ligeti

Lucis Creator Optime........... G. P. da Palestrina

Ninye otpushcahyeshi (Nunc dimittis)........... Sergei Rachmaninoff


May 15 & 16, 2001

PLU combined choirs and orchestra

Requiem........... Verdi

 
 
 

Recent Posts

See All
Programming

Programming I Programming is, I believe, one of the most important—and challenging—jobs for the conductor. There are so many things that go into a successful concert program (and so many different typ

 
 
 
The Pro Coro Canada Years (1996-2011)

Pro Coro Canada My time with Pro Coro Canada, a professional chamber choir based in Edmonton, Alberta, was such a wonderful and valuable time for me for twelve years, working with some great singers a

 
 
 
The Seattle Symphony Chorale Years

This post is about working with the Chorale, and in so many ways this was just a fabulous experience—so many wonderful singers in the Chorale (which had been led for 13 years by Robert Scandrett—who

 
 
 

Comments


© 2026 RICHARD SPARKS, Conductor.
 

bottom of page